ANTONISTYAPersonal Website

K-Y

Unexpected packaging.

Three irreverent directions for an intimate-care brand.

Assignment context

Miami Ad School · Creative coursework

Credits

Anton, credited on the presentation cover. Reference product images and film stills remain third-party material.

Work presented

Original presentation and concept development; no launch is established.

Patriotic Packaging Act — original concept title.
Patriotic Packaging Act — original concept title.

Assignment & brand

The starting point.

Explore packaging, audience and advertising ideas for K-Y in the retained “final ideas” presentation. The deck names Anton and contains several distinct creative directions.

Insight & approach

The thought behind it.

The presentation uses category collision: intimate lubricant alongside automotive oil, exaggerated patriotic packaging, and dryness as a visual metaphor. These are copy and concept provocations, not audience-research findings.

Concept & execution

How it takes shape.

The retained deck combines package references, headline alternatives and a proposed dry-landscape film treatment. The artwork shown is exploratory and includes third-party imagery; no partnership with the other brands depicted is established.

Development / The thinking in motion

Three routes through a packaging problem

The deck keeps three distinct adult-humour directions side by side rather than presenting one as the inevitable answer.

Change the association

One route uses patriotic packaging, another pairs personal lubricant with automotive oil, and a third builds on the discomfort of dryness and heat. Each explores a different way to make a familiar product noticeable.

Keep the packaging question open

Outer and inner packaging ideas sit alongside copy options and a question about discreet delivery. The surviving deck records the exploration, without establishing a selected or manufactured execution.

Anton, credited on the presentation cover. Reference product images and film stills remain third-party material. The cover credits Anton. Existing package photographs and reference imagery are not presented as his photography; no client approval is documented.

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